I use the "Render Individual clips" mode, with the number of audio tracks set to "Same as Source". I find that it is the simplest, most precise program in which to do so, even manually syncing if necessary once the mechanisms are understood (as opposed to using jammed timecode). So I use Resolve to make synced and graded proxies, whether I am doing it for my own editing or if I am DIT on set and delivering to an editor or post house.
I'd hope that just because others don't do it, it doesn't mean BMD won't look at it as a potential feature upgrade. and yeah I made a couple of typos once my eyes/brain started to glaze over which then added more time in finding and correcting the mistakes.Īnd its been talked/asked about a number of times in DR forum.as for other professional editing software - I don't use any other, and I don't frequent their forums so I have no idea what other NLE's do or can do in this respect. One of the things I enjoy with DR is the workflow speed increase with edit/grade/audio etc all in one - but this task was extremely slow, tedious and open to mistakes. I spent many hours doing this manually and its something we will have to do from time to time. With that in mind, can you tell me an effective way to currently bring in 400 clips, apply some audio processing then render each clip as individual clips with the edited audio and existing file names? However, its so close to being a valuable tool for other purposes too. Yeah I totally get that its designed for round tripping. It's worth keeping in mind that Render Individual Clips is intended ONLY for round-trip workflows. Peter Cave wrote:I can't recall seeing this requested feature in any other professional editing software.
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